Testimonials/Reviews Archives

Scott Jacoby, Grammy-Winning Producer/Engineer (John Legend, Laura Izibor, Vanessa Hudgens)

Posted on April 27, 2014 by Rob Roy • 0 Comments

“There is no other mic pre out there that delivers the warmth and clarity of the Electronaut. Whether using the DI for bass or the mic pre on a vocal, you can dial in such diverse and pleasing variations of color and tone – from super-tubey and saturated, to transparent and crystal-clean. The M63 is my go-to pre in a rack filled with Neve’s, Avalons, API’s and Manley’s. This unit is by far one of my favorite pieces of gear, and its built like a beautiful tank. In addition to being a supremely talented designer/engineer, Rob Roy Campbell supports his products with the utmost care and respect, and he has created a truly unique and musical piece of equipment – a rare feat in this day and age.”

UPDATE: On April 27th 2014 Scott was featured in SonicScoop’s newsletter, where he referred to the M63 as “one of my favorite boxes.” You can read it here.

Sean McLaughlin, 37′ Productions (Sarah Blacker, Matchbox 20, Girls Guns and Glory, Queensryche, Kristen Merlin)

Posted on March 25, 2014 by Rob Roy • 0 Comments

“The moment I heard my drum mics through the M63 I was blown away. This is my favorite tube mic pre EVER!”

John Cuniberti, Grammy-Winning Recording, Mixing, and Mastering Engineer, Inventor of the Reamp

Posted on February 11, 2014 by Rob Roy • 0 Comments

“I used the M63 on vocals and acoustic guitars and I gotta say it’s the best sounding preamp I have ever heard. I used a custom built Telefunken mic and an AEA R84 ribbon with fantastic results. I used it quite a bit on the “Sammy Hagar & Friends” album I recorded last year.” (Photo… Continue Reading

“Discover One of the Best Tube Pre-Amp” – Blog On Sound reviews the M63

Posted on January 30, 2014 by Rob Roy • 0 Comments

“I think that you can use the Electronaut M63 on almost anything and get tremendous results; therefore, it is very versatile. Among the tube pre-amp category, this unit became one of my favorites and I sincerely encourage you if you have the possibility to make a test as for sure this M63 unit can bring… Continue Reading

James Murphy, DFA Records/LCD Soundsystem

Posted on January 30, 2014 by Rob Roy • 0 Comments

“The M63 is open and airy – perfect paired with an RCA BK5 on percussion. Transparent and focused imaging, allowing the mic’s natural smearing to come through, but not by being unmusically clear… instead, very harmonically pleasing on it’s own.”

Jonathan Low, Weathervane Project Series

Posted on January 30, 2014 by Rob Roy • 0 Comments

“The next thing that we cut was the lead vocal — he was singing into a Neumann U67. We ended up using the Electronaut tube preamp, and the second that we plugged it in to that pre, it was a unanimous decision. It instantly sounded great, and had an incredible mid-range detail.”

Jim Holland, Musician/Engineer/Producer

Posted on January 30, 2014 by Rob Roy • 0 Comments

“The M63 makes ALL microphones sound great. My U47 has never sounded so U47-ish! It is also a fantastic tube DI. It shines on bass guitar and keyboards as it can be overdriven subtly or to an extreme or not at all. It’s crystal clear with sharp transient response and reach for miles, and it… Continue Reading

Scott Adamson, Musician/Engineer

Posted on January 30, 2014 by Rob Roy • 0 Comments

“The M63 provided the clearest and smoothest bass response I’ve ever heard. Wonderful for use on bass guitar, either with a mic or direct. Also, using Coles 4038s with these preamps for horns was the easiest time I’ve ever had getting exactly the sound I wanted.”

John Humphrey, Engine Studios

Posted on January 30, 2014 by Rob Roy • 0 Comments

“Flexibility is the cornerstone of my studio ethos. In my 20 years in the business, I have always sought out studio products that deliver in multiple situations and I only buy gear I think has long-term survivability. I consider my Electronaut M63 another awesome tool in the shed, right there with our Neumann 367’s, My… Continue Reading

George K, Steve’s Pro Audio, Montreal

Posted on January 30, 2014 by Rob Roy • 0 Comments

“Our first test was with the Blue Blueberry which we know very well. Plugged it in and the M63 made it sound like a U47! Needless to say we were blown away — the Blueberry has never sounded so good! We then plugged in a Bock 251. Ouch! @#$%^& Absolutely amazing! I don’t have words,… Continue Reading

Steve Silverstein, Freelance Engineer/TapeOp Contributor

Posted on January 30, 2014 by Rob Roy • 0 Comments

“I love my Electronaut M63 on acoustic instruments, and I love how it flatters dynamic mics. It’s rich and euphonic like a classic tube pre. I had a chance to use the M63 next to a pristine, classic V76, and the M63 held its own.”

Derrick “Drop” Braxton, Grammy-Nominated Producer (Lupe Fiasco’s “The Cool”)

Posted on January 30, 2014 by Rob Roy • 0 Comments

“I love the M63. It is among the best that I have ever heard, if not the best.”

Patrik Schwitter, Sunhill Project Studio, Switzerland

Posted on January 30, 2014 by Rob Roy • 0 Comments

“If we could measure a mic preamp’s cholesterol level, then this impressive super-boutique-vacuum-tube-animal from Chicago would be riding the edge of what is allowed in unsaturated fats! I have never experienced this much weight coming out of anything like the m63! This is an unbelievable musicbox!! Big thanks to Flyline who imported this foreign dreamtool… Continue Reading